How Falmouth University Creative Writing Graduates Founded Button Box Books, a UK Children’s Publishing House

How Falmouth University Creative Writing Graduates Founded Button Box Books, a UK Children's Publishing House

The Rise of Independent Children’s Publishing in the UK

The UK children’s publishing sector has historically been dominated by a handful of large, established houses. However, a growing trend shows creative writing graduates and entrepreneurial minds bypassing traditional gatekeepers to build their own independent imprints. This shift allows for more diverse voices, niche subject matters, and highly collaborative production processes. A prime example of this movement is Button Box Books, a new independent children’s publisher targeting readers aged zero to six. Founded by two Falmouth University alumni, the company illustrates how combining editorial expertise with a solid business foundation can result in a viable publishing startup. For aspiring authors and publishers, examining the structure and launch of Button Box Books provides a practical blueprint for entering the competitive UK children’s publishing market.

Explore our related articles for further reading on how creative graduates are shaping modern industries.

Combining Journalism and Entrepreneurship at Falmouth University

Building a successful publishing house requires more than just a good story; it demands a comprehensive understanding of operations, marketing, and finance. The founders of Button Box Books, Loui Cimino and Sally Hodgson, recognized this early on and leveraged their distinct academic backgrounds from Falmouth University to form a balanced partnership.

The Editorial Vision: From Coursework to Lead Editor

Loui Cimino, a BA(Hons) Journalism & Creative Writing graduate, serves as the Lead Editor for Button Box Books. His academic path was unconventional; he originally planned to study Archaeology but switched to Falmouth University through Clearing on a spontaneous decision. This pivot proved highly successful. During his undergraduate studies, Loui developed a passion for the publishing sector, heavily influenced by the academic staff, including Andy Chatfield, Dr Kit Chapman, and Dr Adrian Markle. The coursework equipped him with vital skills in conducting in-depth research, writing creatively, and thinking strategically through a marketing lens—skills he now applies daily. Prior to launching Button Box Books, Loui gained practical industry experience by authoring more than twenty children’s books under a pseudonym at an award-winning children’s publisher, giving him a realistic view of editorial workflows and market expectations.

The Business Strategy: Operations, Marketing, and Fundraising

While editorial vision drives the creative side, Sally Hodgson brings the operational engine. Sally initially studied BA(Hons) Fashion Design at Falmouth University before realizing her true talents lay in business strategy. She transitioned into the MSc Entrepreneurship & Innovation Management program, a move that profoundly impacted her professional trajectory. Under the guidance of lecturers Marcus Simmons and Jamie Smith, Sally learned how to structure a business from the ground up. In a highly practical approach to her postgraduate studies, Sally is using her MSc dissertation to write the formal business plan for Button Box Books, which the duo plans to present to potential investors. As the Director of Operations & Marketing, Sally oversees fundraising, social media strategy, and financial planning, and has already begun securing partnerships with established businesses.

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Collaborating with Illustration Students for Button Box Books

A distinguishing feature of Button Box Books is its commitment to collaborating with independent artists, specifically current students and recent graduates. When the company launched its social media channels in June and issued an open call for illustrators, the response was immediate. The founders received a multitude of portfolio submissions and ultimately signed three illustrators, two of whom are current Falmouth University BA(Hons) Illustration students.

One of these students, Georgie Golding, specializes in digital collage with a focus on nature, wildlife, and food. Another student, Roxy Canvin, is working on a picture book titled Look Up. This specific project tells the story of a world where people are entirely absorbed by their phones, and a young girl discovers whimsical creatures taking refuge in the streets and skies above. By working directly with student illustrators, Button Box Books ensures fresh, contemporary artistic styles while providing emerging artists with crucial early-career publishing credits. Additionally, a recent BA(Hons) Fine Art graduate, Sophie Matheson, designed the official Button Box Books logo, demonstrating a truly campus-wide collaborative effort.

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The Value of Micro-Internships for Aspiring Publishers

Sally Hodgson’s decision to launch Button Box Books was heavily influenced by her own experiences as a student. During her time at Falmouth University, she completed a micro-internship with alumna Kate Richards at Radical Wax. This short-term, practical experience provided Sally with invaluable on-the-job training, mentorship, and the confidence to pursue her own business ventures. Recognizing the life-changing potential of these short-term placements, Sally and Loui have integrated micro-internships into the Button Box Books business model.

Using funds raised through a dedicated crowdfunding campaign, the publishing house plans to hire two micro-interns starting in September. By partnering with Falmouth’s employability team, Button Box Books aims to replicate the supportive environment Sally experienced at Radical Wax. For students, micro-internships offer a low-barrier entry into the publishing industry, allowing them to build portfolios, understand the realities of running a creative business, and make professional connections without committing to a long-term contract. For the business, it provides access to enthusiastic talent eager to contribute to a growing startup.

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Actionable Advice for Aspiring Creative Writing Graduates

The story of Button Box Books offers several concrete lessons for creative writing graduates and aspiring entrepreneurs looking to break into UK children’s publishing:

  • Find a complementary co-founder: Writing a book and running a business require entirely different skill sets. Partnering with someone who excels in operations, finance, or marketing—as Loui did with Sally—dramatically increases the chances of commercial success.
  • Gain practical industry experience first: Before launching an independent house, Loui worked extensively in traditional children’s publishing. Understanding industry standards, production timelines, and audience expectations is critical before attempting to disrupt them.
  • Use academic work for real-world application: Sally’s decision to align her MSc dissertation with the Button Box Books business plan is a highly efficient strategy. It allowed her to receive academic credit while simultaneously producing a vital document for her startup’s investor pitches.
  • Chase the weird stories: As Loui noted, one of the best pieces of advice he received at Falmouth University was to pursue unique, offbeat narratives. In a saturated market, distinctive concepts like Look Up stand out to both illustrators and eventual readers.
  • Create the landscape you want to work in: If the traditional job market or publishing landscape does not fit your vision, building your own platform is a viable alternative. Starting small—through social media, crowdfunding, and open calls—allows you to test the waters with minimal initial capital.

Building a Sustainable Future in Independent Publishing

As Button Box Books moves toward its first winter 2027 publications, the company represents a modern approach to the publishing industry. By relying on cross-disciplinary skills acquired at Falmouth University, utilizing student talent pipelines, and prioritizing strategic crowdfunding and micro-internships, the founders are establishing a resilient business model. For other creative writing graduates in the UK, the message is clear: success in children’s publishing no longer requires waiting for a major house to discover you. By combining strong writing fundamentals with entrepreneurial action, you can take control of your creative output and bring your stories to life on your own terms.

Share your experiences in the comments below if you have ever considered starting your own independent publishing venture.